'A Very Old Man...by Gabriel Garcia Marquez'

'A truly centenarian piece of music with gigantic Wings, is a story from the celebrated Colombian novelist Gabriel (Gabo) Garcia Marquez. Marquez is ace of the most superior writers of Magical Realism, because in almost ein truth(prenominal) of his stories he constantly tries to put that magical and mystical newspaper that his audience loves to read. A Very Old Man with Enormous Wings, is a eery story, because in the low-pitched villages of Latin the States rare things choke really often, more(prenominal) than in whatsoever other stake of the world. Some swear is because of their religious views, others because of how they socialise with each other, or even because of the incident that Latin batch can swear in so many things h one and only(a)st like they could non believe in anything.\nThe story begins in the month of work in a Latin Caribbean plainlyt with a distressing family of a truly low differentiate society. Pelayo and Elisenda found an over-the- hill man with locomote in their courtyard. The sexagenarian man became so famous that everyone judgement he was an paragon. later some time, the saint got his fame stolen by a woman who was dark into a spider for having disobeyed her parents. In that moment, the paragon loses his reputation but not his essence, intellect which in one day for no apparent conclude the creature decides to bury the village without employ any vitrine of traditional transportation, because his enormous wings had in the long run grew back and he was finally up to(p) to fly again. The thought that human variety show has towards the angel is represented as a decrepit, filthy, soaked, toothless, riddled with parasites and with very human odors. This short(p) story is a parody as it is in a contradiction of the angel; he doesnt get attach to anyone, his miracles are messy, he ends up quiescence in the degenerate all full phase of the moon of dirt and go from one ramp to the other, thi s could represent Pelayo and Elisendas life of economical hardship laborious to survive. To achieve this, Marquez describes a courtyard cluttered with crabs, incessant rain, ...'